For teetering on a small, unsteady
wall of dirt in the middle of a rice field.
For seeing an old man shuffle down a
country road in white wellingtons and
moments later seeing another old man
sitting outside his country house bathing
from a bucket in the late afternoon light.
For the moon reflecting on water so
still between rows of growing plants-
so still that I'm convinced I could lace
up a pair of ice skates and the water's
surface would hold me. For the hard-
wiring of frogs to croak into the night,
believing a mate will select their sound
over that of hundreds of others and
then go even further to find them in the
darkness. For hearing this John Cage-esque
piece of music when I walk home through
narrow paths tucked between farmlands.
For the perfectly tart, cold 매실 juice
served to me in a smooth piece of white
pottery by a woman in folded cottons
and a handkerchief that keeps her jet-black
hair from her face. For deciding to pull
off the wide road home instead to follow a
narrow one back and back into the thick
trees of a hill and for finding deep within
a path, a small waterfall, two traditional
structures, lifted straight from a folktale
about monks in the woods. For layers
of hills playing at India ink prints and for
large scooped valleys storing green for
the summer. For exploratory walks and
for allowing my curiosity to follow the
steps of an old man with a cart, down a
gravel road, and to a bush. For watching him
pluck several bright, red berries and, without
noticing me, watching him toss them into his
old-man mouth and walk away, cart and
all. For deciding to do the same after he
was out of eye-sight. For the tartness of
bright red berries never before tasted.
For pieces of once-white cotton tied to two
tall sticks pushed deeply into the mud of
someone's rice field. For driving past these
two sticks and noticing the wind whipping
the fabric wildly against the backdrop of
verdant green fields and achingly grey skies.
For an unexpected smile from an older
woman, snug in a wetsuit, fresh from the
sea, manhandling the shellfish and the
octopus she just yanked from their watery
homes. For all of this. And any of this.
Any of this that can for a moment, for
a brief and needed moment, allow me to
forget the heaviness on my chest, the
knot in my stomach, the missing in my bones.
For taking me out of this body, this mind, and
showing me the extraordinary in the ordinary.
A million gentle bows to you, Korea. In thanks.
sitting outside his country house bathing
from a bucket in the late afternoon light.
For the moon reflecting on water so
still between rows of growing plants-
so still that I'm convinced I could lace
up a pair of ice skates and the water's
surface would hold me. For the hard-
wiring of frogs to croak into the night,
believing a mate will select their sound
over that of hundreds of others and
then go even further to find them in the
darkness. For hearing this John Cage-esque
piece of music when I walk home through
narrow paths tucked between farmlands.
For the perfectly tart, cold 매실 juice
served to me in a smooth piece of white
pottery by a woman in folded cottons
and a handkerchief that keeps her jet-black
hair from her face. For deciding to pull
off the wide road home instead to follow a
narrow one back and back into the thick
trees of a hill and for finding deep within
a path, a small waterfall, two traditional
structures, lifted straight from a folktale
about monks in the woods. For layers
of hills playing at India ink prints and for
large scooped valleys storing green for
the summer. For exploratory walks and
for allowing my curiosity to follow the
steps of an old man with a cart, down a
gravel road, and to a bush. For watching him
pluck several bright, red berries and, without
noticing me, watching him toss them into his
old-man mouth and walk away, cart and
all. For deciding to do the same after he
was out of eye-sight. For the tartness of
bright red berries never before tasted.
For pieces of once-white cotton tied to two
tall sticks pushed deeply into the mud of
someone's rice field. For driving past these
two sticks and noticing the wind whipping
the fabric wildly against the backdrop of
verdant green fields and achingly grey skies.
For an unexpected smile from an older
woman, snug in a wetsuit, fresh from the
sea, manhandling the shellfish and the
octopus she just yanked from their watery
homes. For all of this. And any of this.
Any of this that can for a moment, for
a brief and needed moment, allow me to
forget the heaviness on my chest, the
knot in my stomach, the missing in my bones.
For taking me out of this body, this mind, and
showing me the extraordinary in the ordinary.
A million gentle bows to you, Korea. In thanks.
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