Monday, October 6, 2014

Day 218: What I Really Meant to Say

October 5, 2014

In June I wrote about the weightiness of seeing the full moon each month. (You can read that piece here.) Yesterday, as part of a writing course I'm in, I took that piece and rearranged the words to form something new. (Reworked piece here.) Today's prompt asks us to return to the original piece and select places that can be expanded. Where can we open up a bit? Here we're looking at the craft of writing inasmuch as the subject matter. It occurs to me that Gareth would have absolutely loved doing this with me/with his own work.

I read through the original and this part stood out as particularly thin:
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It’s interesting to me the things that end up being extraordinarily painful after we lose someone. Some people have difficulty returning to a favorite restaurant or even entire city. A particular song may stop a grieving person in her or her tracks and knock the breath right from their lungs. My aunt recently told me of unexpected crippling grief hitting in the aisle of the supermarket when she suddenly found herself in front of a favorite food item of her daughter’s.

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The first line is...an uninteresting fact about my own interest. And is it really interesting to me that some things end up being "extraordinarily painful"? Not really. It's just a fact. I then list a few examples, in the most general terms possible. Here was an opportunity to show, not tell. 

Below is that paragraph rewritten, peeking into the corners of what I really meant to say.
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Grief sits in my chest like a large, moaning cello.  I’m never quite sure what’s going to reach in there and pluck a string, sending the low, sonorous sounds to echo in the hollows of my belly. It may be a particular place. When I stepped onto the same escalator that carried us out of the underground subway station to the streets of Daegu above, strings were not only plucked, but the bow of remembrance sawed slowly across them. Here we stood and you faced me, one step below. Here we embraced the entire way up. And you are not here now. Long, slow moans of the cello. My insides are hollow.

A particular song may have the same results. Last month, I wound my way up a mountain, a backpack full of water and my own sadness weighing me down. Something about the freshness of the air and the stunning landscape of Korea seen from a high vantage point began to right me. My steps were lighter. Pine needles underfoot softened the way. Then, near the top, I discovered an elderly man resting on a large rock, his small radio in hand. “Starry, starry night. Paint your palette blue and gray…Look out on a summer's day…With eyes that know the darkness in my soul…” and I fell. I fell down to the earth with the sound of you, the missing of you, the unbearable absence of you all taking turns playing the cello in my chest. It played a deep and dark song. Inside I was weeping.

Sometimes I will avoid a particular place, a particular food, a certain route in my car- just to keep the gut strings from being plucked. This year I did not return to the Jinju Lantern Festival, despite how much I love the glow of the colored silks, the fireworks, the floats afire on the water’s surface. I could not go. The cello would play and I wouldn’t not be able to walk lightly under the weight of its tune.  And please, can I just please walk lightly for a few steps?

The sight of the full moon glowing in an otherwise darkened evening sky plucks at the lowest string and the sound reverberates long after I avert my gaze. I don’t just see that moon, that very moon hanging above like a ripe fruit about to drop- I see a spotlight that used to shine on me and Gareth. “Stop searching for him, Moon,” I want to say now. “He is not here.” I want her to power off. To go dark. At least direct her beam away from me. The sight of the moon that was once ours brings the sound of the cello. Pesante.  Pesante. Pesante.

Day 217: The Honeymoon Revisited

I'm part of a 30-day grief writing course.  Today's writing is in response to a prompt.

October 3, 2014

For this bit of writing, we were asked to select something we've already written and do a cut-and-paste of that piece. I did a similar exercise and published it in a post titled "Rewriting the Story" and a surprisingly darker one the next day with "Another Cut and Paste."

For this one, I chose a piece from Day 105. When cutting up words and piecing them back together, there's a bit of a trust process that something cohesive will end up coming out of that mess. And it is a mess at first:


The original piece is about the pain of seeing the full moon each and every month, with its supremely clear reminders of times with Gareth. (Re-read the original here.) 

It took several hours of moving the bits and pieces like a puzzle with no clear shape before something began to show up. And what did was interesting to me- kind of a before, during, and after of the process of the grief softening and the moon becoming not only bearable to look at again, but a welcomed reminder.

I'll post the finished pieces in sections below. There were three.

I.




 II.




III.










Friday, October 3, 2014

Day 216: Today I Won't Write

October 2, 2014

It's 12:41 am here in Korea. I've been dicking around on facebook with the intent of writing to today's prompt "any minute." I read and reread the email with the prompt and didn't feel that normal spark to write. And then I realized...I'm just mad. I'm mad that I have to write about this. I'm mad that Gareth is gone. Dead. I'll say it. He is dead. I'm mad that someone posted pictures on facebook titled "This is what happens when we're supposed to be grading papers"- pics of the shirtless boyfriend with playful paint all over his arms, back, and chest. The girlfriend had drawn little vines trailing everywhere and strawberries and messages in Korean. Fuck you both. I'm mad that I'm mad about that. Is there not room in my heart for the joy of others? I'm mad that we're going into fall and no Gareth with his scratchy gray sweater that he wore in the house. Halloween, and no playful Gareth in a cow costume. Thanksgiving, and no traveling with Gareth to have a traditional meal with a group of misplaced expats. My birthday and no Gareth. Christmas and no Gareth. No Gareth. No Gareth. No Gareth. And I'm mad about that.

So, I don't want to write. Grief shows up today like an angry teenager. A sullen, fuck you teenager. How dare anyone be happy. How dare people continue to love. Gareth is gone, goddamn it. And today I won't write.


Wednesday, October 1, 2014

Day 215: Moments of Grace

I'm part of a 30-day grief writing course.  Today's writing is in response to a prompt.

October 1, 2014

Today's prompt acknowledges the strange curiosities of grief. Megan talks about those moments of grace when the intense pain is momentarily relieved and we "shift into place." When things are "not 'right,' but righted." I can't tell you how much her experience has spoken to me- how her words have sunk right in and resonated with everything I know to be true now.

What I love the most about this prompt is that she brings with it a warning. "It's tricky to talk about," she writes. "If you share the scarce moments of peace, or alignment or grace, people outside your grief process may jump on it, shrieking with joy that you've found it! You've found the gift! When it isn't that way at all."

Yes.

I've found the same thing with times that I'm having a great day, full of light and laughter. "You're so much better than you used to be!" well-intentioned friends will say. Or I talk about how grateful I am for a particular aspect of knowing Gareth. "See? Doesn't that seem to somehow make it all worth it? Wasn't that the lesson?" No. And no. It is tricky to talk about. I agree with Megan.

But it's also important to talk about the moments of grace that begin to appear. It's especially important to hear if you're in those very first few hours, days, and weeks. Every once in awhile I'll remember what it was to pull my grief behind me as I trudged to the car, or to the subway, or to my classroom. I remember the weight of it. The sounds it made scraping the ground. I remember the sheer exhaustion of its attachment to me. Of my attachment to it. I remember wondering how it was possible for me to continue crying. And crying. And crying, And crying.

I walked on an overpass in my small town yesterday. It's a small one, but high enough that I could look down over the cars below, if I felt like stopping. I remembered the first time I crossed that overpass, maybe 2 weeks after Gareth died. I had stopped then, and while I had not for a minute considered climbing up and dropping over the rail, I let myself be comforted by the parallel world where this could happen. I let myself play it out and feel relief. I was constantly inventing and watching my own death as a sort of pain-killing device. I was self-medicating with my active imagination.

It's important to talk about this. That it's normal to think these things. And that a day will come, like it did for me yesterday, when you realize you haven't had those fantasies in quite some time. The overpass becomes just an overpass. The cars below are just cars below. Things are being righted again. Everything in its right place without the sudden disaster- the fall, the crash, the explosion, the sudden death. Trust is there that when you go under, you will resurface again. You no longer constantly need an escape plan from the intensity of grief.

There is also no way to tell someone this in the first hours, the first days, the first weeks of their loss. Because it's not possible. It's not a reality. The world has been shredded and set afire and grace, while there, takes a major backseat to immeasurable sorrow. There is no telling a person in those first few hours, days, and weeks to focus on the grace. You cannot tell a newly grieving person that grace is there.

If their loved one is not there, nothing is there. The world momentarily becomes a void that has sucked everything out of it but left you there. It's incredibly cruel. The grace is that we are able to continue at all, those of us hit with immense loss.

Grace. My grandmother's name was Grace. She died some years ago, but she has always been someone I call out to in times of deep sadness. It was interesting to talk to Gareth about this and find out that he felt the same way about his grandma, Nana. We seemed to have this duo of strong and beautiful grandma spirits watching over us.

I remember sitting in our favorite coffee house, each working on some writing, and a "Somewhere Over the Rainbow" began playing. This is a song that will always remind me of Grace, of my grandma. She had been declining, and was close to death during a particular visit. She suddenly opened her eyes, looked to the ceiling, and said, "Oh! Isn't it beautiful!" She was seeing gold coins fall from the sky. Then she began to sing. "Soooooome-wheeeeeere oooooover the rainbooooow, wayyyyy up hiiiiiiigh!" Her voice was old and warbly and beautiful. Grace.

In that coffee shop with Gareth one day in late summer, I wrote about Grace. About Gareth. About that moment where the two of them met. I wonder now if there was some greater meeting happening. Grace, my grandmother, and Nana, Gareth's grandmother. Grace and Gareth. Was there grace happening in that moment? Could I have been preparing myself for grace?

The Intersection of You and Grace

Grace finds me here
sitting across from you
at our favorite cafe
hands reaching across the table
so skin can touch skin

Grace breathes herself in
through lyrics familiar
and chords which swell
in such a way that I can tell she
is here without even looking 

without even lifting my gaze
from the page where ink lays itself
down as an offering
to the intersection of you
and Grace


"Graced with Light"- by Anne Patterson: art installation at San Francisco's Grace Cathedral



The first time I felt this grace was about 2 months after Gareth died. I wrote about it here in a short post. I had read a poem Gareth was writing two nights before he fell. It was a tough poem to read- beautiful words of missing me, being reminded of me, wanting to be with me, and trying to make sense of his own grief. As I read it- reread it, really- I had my first real moment of things feeling "righted." I talk about the "shift." The "deep understanding."

It's important to know that this is part of the fluid state of things in the living after the loss. These moments of grace, these shifts, are not permanent states. They are not indicators that one is "moving on" or "moving forward" or "letting go." They just are. They will happen. They will bring an incredible sense of stillness and connectedness. They may be followed by what feels like a deeper period of despondency. But they will come.

What does it feel like, these moments of things being "righted"? These moments of grace? I must remember to write about it when I'm in that exact moment. Trying to do so later is like trying to describe a dream in detail when you only have the words to explain bits and pieces. It is the powerful dream that leaves you with a feeling, but not with the ability to get the details right. It's a moment of serenity on a spiritual level. A cosmic level. It's big.

It is every cell in my body settling into itself and knowing it is right where it needs to be. It is all things unraveling in the wind and no attempt to quickly weave them back again. It is being mesmerized by the unraveling. By the way the strands cross over and catch the drifts and circle around one another. It is sun-in-the-face and hand-out-of-the-car-window-on-a-summer kind of peace. It is not denial that your love is gone nor a forgetting that it hurts not be with him. It is not making any true sense of it at all, but just being right in the middle of he was here and we loved. He was here and we loved. He was here and we loved.

It is the face relaxing. The brows going back to their right place, resting comfortable above the eyes. It is the throat ceasing to be constricted. It is the lungs filling up with air. It is looking around at everyone doing their everyday thing and thinking, "There is more than this. There is so, so much more than this." It is not being afraid that there is more than this.

Grief can wash over me when I least expect it. It can knock me down in a moment's notice. Grace can wash over me without warning, too. In time, I suspect there will be a rhythm to it. Like my breath. In and out. In and out. Gentle changes, without much thought. Like the tide. In and out. In and out. Grace, as the moon, calling her ocean back again and again. Day, night, and day again. Spring and then summer. Fall and then winter. And back again. There is no permanence in grief. There is no permanence in grace. I will cloak myself in whichever appears, at any given moment, and move forward. Crying. Dancing. Laughing. Twirling. Falling down into grace.








Day 214: You Would Tell Me This

I'm part of a 30-day grief writing course.  Today's writing is in response to a prompt. "If I imagine you speaking, imagine you loving me through this, you would tell me..."

September 30, 2014


If I imagine you speaking, imagine you loving me through this, you would tell me so much. You'd continuing telling me things until the tears dried up and the smile returned to my face. You'd tell me things again and again until I heard you. Until I believed them to be true. Good things. Things that would make me breathe so deeply that I could feel every inch of my lungs fill up. If I imagine you speaking, imagine you loving me through this, you would tell me so much.

The funny thing is that everything I imagine you would say to me, every single word you'd say to love me through this, I was able to hear you say when you were alive. How did I know to let those words create grooves in a record I would play time and time again after you left?  Sometimes it's not even a conscious choice. Sometimes you are just there, in my head, playing my favorite tunes. When I start to judge myself, your voice is there. When I doubt I can do this, your voice is there. When I feel lazy, unattractive, out of shape, your voice is there. When I take the criticisms of others too personally, your voice is there.

You've given me the kindest, gentlest way to care for myself that I can think of. You've given words, in the voice of the man I love, to remind me that I can do this. That I am beautiful. That I mean something. The record is set to play always. And if I forget to place the needle upon it and take everything I hear in, you seem to do it for me. These, the sweet sounds of encouragement that I was so lucky to hear you tell me when you were here:

When I don't think I can do it anymore:
You are a spiritual warrior, babe. You've got this. 

When I wake up feeling less than beautiful:
YOU are hands-down, the sexiest woman I've ever met. 
You want an ice-cream? Have 10. Seriously. You could gain 50 pounds and still be attractive to me. 

When I just need to be comforted:
I hate seeing you in pain. I wish there were something I could do to make this go away. 
You deserve someone to cook for you. Seriously, babe. You just sit there looking beautiful. I'm going to cook dinner for you. 
A cup of tea is medicinal! Want some English Breakfast?

When I need motivation to get out there and run:
The fact that you run is sexy to me. You, babe. You are a runner. I'll see you when you get back.

When I'm second-guessing my abilities:
I love to watch you teach. You're a great teacher. You're just good at it! They're lucky to have you. 
You're a great listener. Really. I've heard you talk to people on the phone. You're solid. 

When someone says something unkind to/about me:
Bitches! That's what, babe. If someone isn't down with you, they're bitches. You don't want bitches for friends, anyway, right? Right, babe?

When I forget how much my connection to God means:
I want the kind of God that you have. I want that relationship. I like the way you talk to your God.

When I forget I am made from joy:
I love how we play! You're not afraid to be a kid. You're an artist. All of life is performance art to you, and I love that. 
So many things bring you joy. I love to watch your joy explode. Ignite your joy. If anyone doesn't know what joy is, they should just watch you around some puppies.
Here. You need this. This little fuzzy animal key chain is saying, "I want to go home with Bridget!" 

And your voice, these words, they were never intended to convince me of something I didn't believe about myself. They were to remind me of what I already knew. They were a reflection back to myself of what took me years to believe. That I am beautiful. That I am connected. That I mean something. Your words encourage me not to forget.

Thank you.

Thank you.

Thank you.